Nicolas Cage, the best “Northman” of “Bad Guys”, box office revenue

Jake Coil Associated Press

New York — On an unusually crowded weekend in an expensive Viking epic and a movie theater played by Nicolas Cage, DreamWorks Animation’s “Bad Guys” continues to revive family movie watching after a pandemic recession. Shown and defeated the field.

Released by Universal Pictures, “Bad Guys” debuted at $ 24 million in US and Canadian ticket sales, according to studio estimates on Sunday. It remained in second place with $ 15.2 million in its third week of release, despite fierce competition over the family of Paramount Pictures’ Sonic the Hedgehog 2. So far, it has generated $ 145.8 million in domestic revenue.

The visual health of watching movies for families is during the profitable summer season of Pixar movies, where movies such as Universal’s own Minions: Rise of Guru and Walt Disney’s Lightyear are first released in theaters. Especially good news for Hollywood heading. Within two years — hoping to get closer to pre-pandemic levels.

“There’s more than just being cautiously optimistic,” said Jim Orr, Head of Distribution at Universal. “I think the audience will be flooding the theater this summer.”

The studio was hesitant to program many movies against each other during the pandemic, but there was something unusual on the weekends.

“The Bad Guys” is based on Aaron Blabey’s children’s graphic novel series on Quentin Tarantino’s children’s toned toned animal gang, with critics (85% fresh on Rotten Tomatoes) and the audience (“A”. It worked fine with CinemaScore). There will be little family competition until “Lightyear” is released in mid-June, and “The Bad Guys” should work for a few weeks. Since its first debut abroad, animated films have already earned $ 63.1 million internationally.

Other new weekend releases — Robert Eggers’ Northman and Cage’s Unbearable Weight of Giant Talent — didn’t work, but they still went pretty solid on the first weekend.

“Every weekend is a component of recovery, but I don’t want to call it recovery. I think the cinema has recovered,” said Paul Delgarabedian, senior media analyst at ComScore. “All three newcomers were well received and all found an audience.”

The risk was greatest for the Focus Features “Northman”. With a budget of over $ 70 million, Eggers, the director of the former indie historic horrors “Witch” and “The Lighthouse,” has grown significantly. The road to profitability for the film was unlikely even before it was shown in theaters, but ticket sales were $ 12 million, which exceeded expectations. Added $ 6.3 million internationally in 26 regions.

“Northman” features Alexander Skarsgård, Anya Taylor-Joy, and Nicole Kidman in the story of brutal and bloody revenge.

“First and foremost, we wanted to work with Robert Eggers,” said Lisa Bunnell, Focus’s distributor, who was responsible for the international distribution of the first two films of Eggers. “The important thing here is that we need to make the film we wanted to make with a filmmaker who feels part of the future of American cinema. He has a very unique voice. He’s not just in it, he’s making a movie with the original IP: “Let’s make a sequel!”

Meanwhile, the new Harry Potter spin-off “Fantastic Beasts: The Secret of Dumble Doll”, once a powerful brand, fell off the cliff on the second weekend at the theater. The release of Warner Bros., the third “Fantastic Beasts” movie, fell 67% in the second week to $ 14 million. If Warner Bros. continues, that’s a bad sign for the future of the franchise (the studio has so far postponed the green light of the fourth movie). Still, last week’s top movie, The Secret of Dumble Doll, is doing well. overseas. With overseas sales of $ 213.2 million, the film has the largest share of the film’s $ 280.3 million worldwide long-distance.

Gonzo meta-comedy starring Cage as an exaggerated version of Lionsgate’s “Unbearable Weight of Huge Talent”, his own exaggerated version, began at an estimated $ 7.2 million. First released to warm up reviews from South by Southwest, this movie relies on good reviews to win a $ 30 million budget.

It’s a success like “Everything Everything All At Once”. The release of A24, a mudcap metaverse fantasy starring Michelle Yeoh, is one of the brightest signs of the specialty film business, another sector of the industry that struggled in theaters during a pandemic. In the fifth week, Everything Everything All At Once sales were $ 5.4 million, down just 12% from the previous week.

However, the biggest breakthrough in the theater in April this year was watching movies for the family. It’s a good time for the movie industry. This week in Las Vegas, CinemaCon will liven up the theater’s exhibition with its annual conventions and trade fairs. Expect a lot of declarations that the cinema is back.

Estimated ticket sales from Friday to Sunday at theaters in the US and Canada, according to Comscore. Final domestic figures will be announced on Monday.

  1. “The Bad Guys”, $ 24 million.
  2. “Sonic the Hedgehog 2”, $ 15.2 million.
  3. “Fantastic Beasts: The Secret of Dumble Doll”, $ 14 million.
  4. “Northman”, $ 12 million.
  5. “Unbearable weight of huge talent”, $ 7.2 million.
  6. “All at once” $ 5.4 million.
  7. “The Lost City”, $ 4.4 million.
  8. “Father Stu”, $ 3.4 million.
  9. “Morbius”, $ 2.3 million.
  10. “Ambulance”, $ 1.8 million.

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